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Swept Away (Curator Ina Arouetti - catalogue)
The numerous layers create a brittle facade.
It is ambiguous whether the material (paperclay) was "swept away" or if the negative space in between has been eroded.
This installation is an expression of time and movement.
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Table Linen
This installation is a rendition of a table set for eight diners.
Only this time the white tablecloth - a symbol of elegant dining - covers the place settings like a shroud in homes abandoned.
The work is a way of addressing the impulse to conceal, the dilemma of presence and absence, and the reemergence of the underlying form.
It touches on the relation between life and death - between the process of eating that sustains us, and the vestiges of death.
110 x 240 x 75 cm (width x length x height)
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Catch 2002 (Curator Tirza Yalon-Kolton - Catalogue)
This installation comprises four ceramic objects and a net. The net is delicately
suspended from the ceiling and walls, giving a sense of vulnerability.
Like Catch 22, this work is all about entrapment. For these stones, there is always
the possibility of movement across the net - but the essential fact that they are
trapped remains unchanged.
Catch 2002 was exhibited at the "Status: White" exhibit at the Holon School for
Industrial Design in 2002.
120 cm x 218 cm x 348 cm (47" x 86" x 137") (height x width x depth)
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Stones (Curator Sara Hakkert - Catalogue)
The stone is a timeless almost indestructible form, reminding us of ancient history. This natural object can be used for destruction and violence, as we are constantly reminded in this part of the world.
These ceramic stones are softened and piled carefully and efficiently to create
an open doorway - an architectural element symbolizing the hope of freedom.
Stones was part of the "Constructive Paradigms" exhibition held at the Artists
House in Jerusalem, in 2001.
120 cm x 60cm x 20cm (47" x 23" x 8") (height x width x depth)
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